A Cinema of Discontent

The international success of Iranian cinema over the past decades may have veiled the fact that Iranian filmmakers work under extremely harsh circumstances rarely seen in other national cinemas. Filmmaking in Iran is subject to tight government controls and strict censorship codes ranging from banning any criticism of the regime to highly restrictive codes on representation of women and their interactions with men. The imposed codes have undermined the creativity of the filmmakers and their ability to tackle pressing social issues.

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2002

009 Re:Cyborg

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2012

Tomorrow Never Dies

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2003

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Jesu, Joy of Man's Desiring

2012

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GoldenEye

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A Dog's Life

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1970