Five Film Exercises: Film 5

Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.

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All the King's Men

All the King's Men

1949

Hud

Hud

1963

Marjoe

Marjoe

1972

Night Tide

Night Tide

1961

On the Pole: Eddie Sachs

1961

Gift

1973

Psalm I: The Lateness of the Hour

Psalm I: The Lateness of the Hour

1999

The World's Greatest Sinner

The World's Greatest Sinner

1962

Steel Town

Steel Town

1944

Slam

Slam

1998

The Man Who Skied Down Everest

The Man Who Skied Down Everest

1975

The Reckless Moment

The Reckless Moment

1949

Women in Defense

Women in Defense

1941

Eclipse

1995

Eyes

Eyes

1970

The Chair

The Chair

1963

Summertime

Summertime

1955

Movie Making in Japan: A Screen Snap-shot

1935

The Savage Eye

The Savage Eye

1960

Human Desire

Human Desire

1954