The World at War: The Making of the Series

The making of 'The World At War'. Each film in the 26 episode series had to be an essay on an aspect of the war, because the length and separate aspects of the war was far too much to cover in detail. Jeremy Isaacs talks about the production process and the aims of the project. The intention of the crew that were involved with the various skills in making 'The World at War' had no desire to use film from British, German, French, Polish, Russian, Japanese, or the Americans because of their specific means of showing the winning side of a specific action. Rather, an effort was made to interview people who were not part of the establishment, but rather the common people or assistants and secretaries of historical persons. Film was researched for those films from cameras where there was no special subject, but those that would allow the viewer to make their own decisions about what they had just seen and heard.

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The World at War: A Special Presentation - Secretary to Hitler

1974

Mi marido

Mi marido

1951

The Draft Horse

The Draft Horse

1942

Bayside Shakedown 3: Set the Guys Loose

Bayside Shakedown 3: Set the Guys Loose

2010

My name is Enric Marco

My name is Enric Marco

2009

Movers & Shakers

Movers & Shakers

1985

Voice from Hometown

Voice from Hometown

1983

Thomasine & Bushrod

Thomasine & Bushrod

1974

Saddle Soap Opera

Saddle Soap Opera

1974

Navidad Con Tlen-Huicani

Navidad Con Tlen-Huicani

2021

The Bluffers: The Fantasy Filled Adventure Begins

The Bluffers: The Fantasy Filled Adventure Begins

1989

The Thin Blue Lie

The Thin Blue Lie

2000

Goripalayam

Goripalayam

2010

UFO From Earth to the Moon

UFO From Earth to the Moon

2016

America Goes Over

America Goes Over

1918

Madre

Madre

2017

Theresa Is a Mother

2015

Exacerbation

Exacerbation