Seashore

The basic image derives from a shot of women in (Edwardian era) dresses standing along the edge of the ocean. Within this eight-second loop, [Rimmer] cuts shorter ones. For example, the activity of a central group of three women is cut so that the figures repeat certain motions over and over and over again... Rimmer also chose to use the forms of surface imperfections, the scratches and dirt patterns, as bases for his loops... Although working in a disciplined style of re-structuring cinematic forms, his highly orchestrated creations have inspired great admiration both from cineastes and the more general public. Preserved by the Academy Film Archive in 2014.

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Confessions of a Black Mother Succuba

1965

Patton

Patton

1970

The Misfits

The Misfits

1961

Miracle on 34th Street

Miracle on 34th Street

1947

Lord Jim

Lord Jim

1965

The Story of Little Red Riding Hood

The Story of Little Red Riding Hood

1949

Zorba the Greek

Zorba the Greek

1964

Still Life

Still Life

1966

In the Heat of the Night

In the Heat of the Night

1967

Five Film Exercises: Film 1

Five Film Exercises: Film 1

1943

The Story of King Midas

The Story of King Midas

1953

The Big Country

The Big Country

1958

John Henry and the Inky-Poo

John Henry and the Inky-Poo

1946

The Man with the Golden Arm

The Man with the Golden Arm

1955

True Blue and Dreamy

True Blue and Dreamy

1974

Peed Into the Wind

Peed Into the Wind

1972

The Creation

1981

Primary

Primary

1960

Jasper and the Beanstalk

Jasper and the Beanstalk

1945

Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid

1969