The artist’s voice is superimposed over those of her interviewees: a group of men who swim daily at the beaches of Beirut. Through this and other editing techniques, Mounira Al Solh’s Paris Without a Sea questions presuppositions about gender, subjectivity, and the interview format itself. In her voiceover, Al Solh affects the accents and manners of her subjects, performing an oral drag that subtly interrogates matters of masculinity, such as the fraternity of Beiruti swimmers or the motley origins of names and nicknames as they relate to fathers and their sons.