Hidden Figures

**The other side story of the historic event!**

This film did not just represented the black people, but the women as well. Today we talk about discrimination against women, though this film is an example that it all had started way long ago, yet the struggle has not ended. Anyway, this is a biopic, a biopic of three women and their struggle not just being a black, but being women. When the nation was eager to send its first man to the space, there was some trouble within the team who are behind it to work together as one. Lots of inspiring events reveal how the history was made and the working culture was changed forever inside the NASA.

The film was nominated for the Oscars in the three slots, but did not win any. That's fine, because I would prefer those real women to be recognised over what this film had achieved. All the three actresses were good. Their roles were unique from one another. Really a wonder film about three real persons in one film. Something rare in films to highlight their achievements equally. The personal life, as well as their professional was well briefed.

The others like Kevin and Dunst in small part were also good. Directed by just a one film old filmmaker. He did good. The screenplay was adapted from the book of the same name. Deserved all the awards and praises it had received. After seeing how it had ended, a sequel could be possible. Mission Moon. I hope they would consider it! Seems a nice idea!

_8/10_

Do not at all think that by my feelings I attempt to diminish the achievements of those who made _Hidden Figures_ nor the real women around which the story revolves, this simply just wasn't for me.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._

This is quite a compelling story of three ladies who played a crucial part in the NASA operation that ultimately put John Glen into space. All three were mathematicians drafted in to provide their skills but unlike so many of their colleagues, they were subject to prejudices surrounding their race and their gender. The women adopted the best solution to combat this bigotry, though - they decided there are more ways than one to skin a cat and so let their astonishing talents do their talking for them. Luckily, Katherine Johnson (Taraji P. Henson) had a boss in Al Harrison (Kevin Costner) who was essentially a practical and politically motivated man who cared far less about segregation and much more about beating the Soviets into space. His attitude, that swiftly builds into a considerable degree of respect, enabled her to step up and demonstrate she was every bit as good, if not better, than those white men around her - all rather uniformly dressed in white shirts and ties. Across the corridor, the equally adept Dorothy Vaughan (Octavia Spencer) was fighting her own battle for recognition as the supervisor of a crack team that was charged with installing, programming and validating the workings of a brand new IBM computer. Finally, the triumvirate was made up by Mary Jackson (Janelle Monáe) whose skills were going to be crucial if the heat shield on the module charged with getting the astronaut (Glen Powell) back to Earth safely was going to work properly. Director Theodore Melfi manages to delicately marry these three threads together keeping the story interesting and investing us not just in the struggles of these women but also in the excitement of the practical science unfolding before us. Henson and Spencer are convincingly understated with their performances and though Monáe is less prominent, the three characterisations still resonate well and informatively. I knew nothing of those people before I watched this - I'm glad I did.