Paradise View

Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.

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Lieutenant Schuster's Wife

Lieutenant Schuster's Wife

1972

Silver City

Silver City

1984

Playmates

Playmates

1972

The Raftman's Razor

The Raftman's Razor

2005

The Desperate Miles

The Desperate Miles

1975

Nakia

Nakia

1974

Only with Married Men

Only with Married Men

1974

The Girl Who Came Gift-Wrapped

The Girl Who Came Gift-Wrapped

1974

Bullet Scars

Bullet Scars

1942

The Last Angry Man

The Last Angry Man

1974

The Sex Symbol

The Sex Symbol

1974

The Stranger Who Looks Like Me

The Stranger Who Looks Like Me

1974

Unwed Father

Unwed Father

1974

Starsky & Hutch

Starsky & Hutch

1975

Second Chance

Second Chance

1972

The Couple Takes a Wife

The Couple Takes a Wife

1972

The People

The People

1972

The Daughters of Joshua Cabe Return

The Daughters of Joshua Cabe Return

1975

The Rookies

The Rookies

1972

The Weekend Nun

The Weekend Nun

1972