Maya Darpan

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

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City Lights

City Lights

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Sweetiee Weds NRI

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Sorry Bhai

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Boot Polish

Boot Polish

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Salaakhen

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Aap To Aise Na The

Aap To Aise Na The

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Silence... Can You Hear It?

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What the Fish

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Without Benefit of Clergy

Without Benefit of Clergy

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Parvarish

Parvarish

1958