ULÍA #3

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Loading countdown...
Love

Love

2024

African American Express

African American Express

2024

37/78: Tree Again

37/78: Tree Again

1978

The Meadows Green

The Meadows Green

1975

El Editor Versión Final

El Editor Versión Final

2022

Surveillance

Communism + Sganzerla + Lumière

Communism + Sganzerla + Lumière

2023

BEDTIME STORY

BEDTIME STORY

2023

Fajr

Fajr

2019

The Female Offender

1995

Artificial

Artificial

2023

Bársony Spirál

Bársony Spirál

All The Stars We Made

All The Stars We Made

2022

Subsurface

Subsurface

2023

Em Branco

Em Branco

Surveillance

Surveillance

2017

Waves Burning in Wheat Color

2013

The World Is Not Enough

The World Is Not Enough

2025

En La Profundidad de la Superficie

En La Profundidad de la Superficie

2023

A Dança dos Mosquitos

A Dança dos Mosquitos

2023