Temps contre temps
The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
Loading countdown...
![[W I N G S O F L O V E]](http://wsrv.nl/?url=https://image.tmdb.org/t/p/w500//zGVzZDReN3wIotXJMJr4EPq7CDq.jpg&w=320&h=480&sharp=1&output=webp)
