Passaggio questions the gender politics of sound through a teenage boy's voice-finding odyssey. Going through the unsettling phase of voice transition and subsequently losing his voice, the protagonist must plunge into the world's myriad sounds, turning his body into a locale of observation, absorption, and mimesis. Challenging the dominant narratives of voice articulation and able-bodiedness, he fearlessly embraces a fluid identity, a life without an accepted voice. What constitutes an eligible voice? How do we find our own voices in this chaotic world?