Protective Coloration

Protective Coloration

This film is a succession of visual and aural "notes" generated by the patterns in animals' hides, which are arranged and re-edited into a complex musical architecture, developing intricate rhythms not unlike the complex syncopations found in traditional African music. Elements of sand, dirt, light and shadow cross-reference the film's emulsion with evolutionary history and provide a second level of musical structuring through which the first layer is filtered. The animals' fur patterns, which evolved naturally as camouflage to hide them from predators, ironically now make the animals more visible to human predators who are attracted by their exotic uniqueness. This cinematic analogy underscores modern humanity's relationship to the natural world.

Minot, North Dakota

Minot, North Dakota

2008

Still Life

Still Life

2004

White Funeral

White Funeral

1997

PROTOTYPE

PROTOTYPE

2017

Chinese Viola

Chinese Viola

1975

Anatomy of a moth

2004

Bullet in the Head

Bullet in the Head

2008

VICTORIA XXI

VICTORIA XXI

2019

Homo Paradoksum I

Homo Paradoksum I

1989

ami. exe

ami. exe

2017

Count Vim's Last Exercise

Count Vim's Last Exercise

1968

Man with a Movie Camera

Man with a Movie Camera

1929

Letter in Motion to Gilles Jacob and Thierry Fremaux

Letter in Motion to Gilles Jacob and Thierry Fremaux

2014

Group Portrait as a Still Life

Group Portrait as a Still Life

1993

Maison du Bonheur

Maison du Bonheur

2018

heroes

heroes

2020

Decasia: The State of Decay

Decasia: The State of Decay

2002

House

House

1977

Multiple Maniacs

Multiple Maniacs

1970

Complainant

Complainant

2017