Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Nicole Kidman stars as a local television personality who will stop at nothing to get what she wants, but it is Gus Van Sant's direction that really shines. Kidman plays Suzanne, a none-to-bright woman who decides she wants to be a giant media personality. She marries Larry (Matt Dillon), a restaurateur, and settles for doing the weather at a dead-end television station. Suzanne sees that Larry is not behind her career, and uses a trio of teens to kill him. She begins her plan by befriending them while shooting a documentary, then begins sleeping with James (Joaquin Phoenix), who in turn conspires with Russell (Casey Affleck) and Lydia (Alison Folland). Most of the film is told in flashback by the killers and families of Suzanne and Larry, and Suzanne herself.
"To Die For" is a strange film. Acting wise, the professional cast is saddled with one-note characters. While top-heavy with supporting players, Suzanne never really changes much, or offers enough menace to feel anything for her. Dillon fades into the background as Larry, trying too hard to make him normal. Buck Henry's screenplay is full of fits and starts, never gathering enough darkness to become a successful dark comedy, nor enough edge to become a successful satire. This is a shame, since celebrity due to murderous acts is such a part of our lives today. The film never takes that final step and calls the media on the carpet, instead trying to get the viewer caught up in the mechanics of Suzanne and Jim's relationship, and Suzanne's progressively strange certainty that she will be famous. Gus Van Sant's direction is absolutely fantastic. The interior of Larry and Suzanne's home is hysterical. His camera always finds the perfect tone of a scene, even if the scene is not especially well-written. I am one of the few who did not think much of "Drugstore Cowboy," although I do appreciate many of the films Van Sant has done since. "To Die For" gets the viewer geared up for a no-punches-pulled look at popular culture, then throws in the towel before the bell even rings. I cannot recommend it, despite the fine direction, the rest is a disappointment.
Great performance from Nicole Kidman but this dark comedy didn't always do it for me, though it also could be I'm not the biggest fan of these mockumentary-like style films where actors (in character) talk to the camera. Still well worth watching for a fine cast. **3.75/5**
"Suzanne" (Nicole Kidman) is the epitome of ambition as she convinces local cable boss "Ed" (Wayne Knight) that she'll do just about anything to get her foot in the door - even read out the weather forecast! She's not exactly bright, but she knows exactly how to press the buttons to get her ahead. Snag is she's married to "Larry" (Matt Dillon) and he wants a more traditional family unit with, ideally, kids at some point. To that she merely points out that he ought to have just married a baby sitter! She decides that a change is now necessary and to that end recruits the services of the gullible "Jimmy" (Joaquin Phoenix) and his pal "Russel" (Casey Affleck) to eliminate her problem. Thing is, the former lad actually falls for her big time and though compliant both he and his other friend "Lydia" (Alison Folland) might not prove too reliable when the police come a-knocking. She's going to have take a few risks and keep her wits about her, if her dream of daytime television stardom is ever to reach fruition... This starts off strongly depicting the story via a series of interviews with those closest to her, and they serve quite effectively as pillars supporting the deviousness of the plot. Thing is, though, given we know all along who's done what to whom, and why - there's no jeopardy and I missed that. Kidman does fine, but the menacing aspects of the role really do rather peter out half way through and the comedy is more miss than hit. Folland probably delivers best cutting a ditzy and lonely figure as the film develops and it's quite a potent indictment of ambition and manipulation from time to time too, but I just couldn't quite take her seriously. I did really quite like the solution, though! My kind of denouement.