Fans of elevated revenge action films are going to be flat-out dazzled by “Monkey Man,” the directorial debut of Dev Patel (who also co-wrote and stars as the titular character). Many actors are unsuccessful when attempting to make the transition from in front of the camera to behind it, but Patel has the talent to back it up tenfold. This story of vengeance is done so well that I have very few criticisms. It exceeds expectations in all respects.
The anonymous Kid (Patel) makes a living by sparring for cash in a seedy underground fight club. His gimmick includes wearing a gorilla mask and agreeing to take the fall to his more popular opponents. After enduring bloody beatings for years while carrying with him a terrible childhood trauma, Kid’s rage has grown to astronomical levels. When he discovers a way to infiltrate the city’s elaborate network of corrupt leaders who are responsible for his mother’s death, Kid makes it his personal mission to exact revenge. In the process, he becomes a savior of the people, an underdog who helps the powerless settle the score and right the wrongs that they’ve all endured at the hands of the elite.
It’s a simple story that works well for a revenge film, as Kid has a great motivation for unleashing his violent retribution. This makes him a hero you want to root for. He’s a murderer, but the people he kills most certainly had it coming. Patel (along with co-writers Paul Angunawela and John Collee) include culturally-appropriate thematic elements that make a statement on the current political climate in India, which lends a depth to the story that makes it as meaningful as it is entertaining.
Heavily influenced by “The Raid,” “John Wick,” and Korean cinema, eagle-eyed viewers will catch many references and homages to these films. Thankfully, Patel’s approach doesn’t feel like a sad imitation of similar revenge action movies. The production values are fantastic, and every element falls into place. Patel has a great visual style that feels like he’s approaching his direction as a fan who understands the language of cinema (particularly action). There is some really creative stuff here, from the inventive kills to the exciting stunts.
The fight choreography is nothing short of excellent, and the realistic makeup and stunt coordination combine to make the hand-to-hand brawls feel so authentic The sets and creative duels are absolutely terrific, and fans of the genre will not be disappointed.
The film has its share of violent, bloody mayhem, but it’s not as action-packed as you may be led to believe. There is a lot of story, but it’s a strong one. The fighting doesn’t start until a good 40 minutes into the film, so it’s a good thing that the dramatic elements work so well (the narrative lags briefly about halfway through, however).
The biggest surprise to come out of the film is that Patel actually has the talent to back up everything he attempts, from the stunt work (which resulted in multiple personal injuries), writing, direction, and acting. Lanky and thin, he’s an atypical action star, but he sells it here as a scrappy yet powerful fighter who is dismissed as “a kid from the gutter.” You will cheer when Kid embarks on his savage rampage of revenge, especially when this nobody eventually becomes a somebody. Turns out, Patel is a badass action star with an undeniable charm, which makes for a magic combination.
“Monkey Man” strikes the right balance between meaningful political commentary and full-speed fun, and Patel does both equally well. Topped off with its stylish, gritty atmosphere and high-energy action, this is the type of film that will get you energized about the genre.
By: Louisa Moore / SCREEN ZEALOTS
