The Batman

After spending most of today struggling to edit, this was such a cool way to spend my evening. Big theater, fantastic film.

Outstanding visuals, dreamy atmosphere, great cast, and pitch-perfect action. Giacchino’s amazing score is just the cherry on top. A few of its elements (mostly the central mystery) can feel too muddy at times, but if this is any sort of indication of the quality of 2022 films, color me excited.

Next too batman and Robin this has to be the 2nd most dumbest batman movie ever made. Robert Patterson made an alright batman but completely sucked at being Bruce Wayne. When he was Bruce Wayne it was like watching the twilight movies. I've never seen Bruce act like that all suspicious and looking like a dam criminal. Like wtf happened on this Batman it was horrible. Also like little to no action really at all. Catwoman was garbage. The penguin looked like a human almost like 2 face. And last but not least the riddler looked like the guy from my bloody valentine. Not only did they completely butcher the film but but they butchered the characters as well. I don't understand why this movie has such good ratings. It was the most boring batman I've ever seen. They should just stop making these. This is the 6th different batman actor and its getting worse. If you can't keep the same batman then just give up already. Obviously everyone hates playing batman since no one ever wants to keep playing him.

The best Batman film since the Dark Knight, and probably the most comic accurate depiction of the character to date.

not worth the hype.

Main problem(s) is the choice of cast.

Pattinson is now an adult that improved his hysical condition. But he still needs 300% more muscle to look like Batman. And his face didn't change much from Twilight, his acting improved but he still looks like an emo art student.

Andy Serkis has a face and body of a hardened mercenary. Absolutely not gentle British Alfred.

Zoe Krawitz acts (well I'm not sure) as brat, taunting people, and not wanting help or advice, and her face expressions are extremely annoying, showing contempt on everyone.

Colin Farrell - I'm a regular fan, has so much makeup on his face that it could be Marlon Wayams or Leonardo Di Caprio under we wouldn't see the difference.

Then the movie is pretty, good colors and cinematography. But the movie is sooo boring, things advance too slowly and actual story elements that make the plot go on strike violently in this long nothing. And the director tries finesse in the story most people didn't understand. When Batman is on to of the building he is shivering - most people think it's because of fear of heights, but it's the light, as he's a hero of the night. When Batman is with The Riddler, everyone thinks Riddler knows Batman is Bruce Wayne, but it isn't at all what he says, maybe one sentence is confusing, but yeah the Director tried something too intelligent.

The music is ... I just don't remember anything about the music.

Of course people that would think the actors fit the characters wouldn't have been thrown out of the movie like I did, I was just suffering and seeing "imperfect" elements one after the other as I watched coldly with no implication in the movie.

The Batman (2022) is a movie that had the potential to redefine the Dark Knight’s legacy on screen. With a talented cast, stunning cinematography, and a noir-inspired tone, it promised a grounded and gritty exploration of Gotham and its shadowy protector. However, while some aspects of the film shine, the final product feels like a collection of mismatched ideas that fail to form a cohesive whole.

The city of Gotham is one of the film’s standout elements. Its rain-soaked streets, oppressive atmosphere, and dark corners are brought to life with incredible attention to detail. The cinematography immerses you in the city’s decay and corruption, making Gotham itself feel like a character in the story. For all its flaws, this is one aspect of the film that deserves high praise.

Robert Pattinson as Batman: Pattinson delivers a nuanced portrayal of a young, confused, and emotionally stunted Bruce Wayne. His lowered head and introspective demeanor highlight a man still struggling to define his purpose. While this take on Batman may not fit the tone perfectly, it’s a commendable performance.

Colin Farrell as Penguin: Farrell is unrecognizable and magnetic in his role. His transformation and gritty, charismatic performance make Penguin one of the film’s most memorable characters.

Zoë Kravitz as Selina Kyle: Kravitz’s take on Selina is grounded and refreshing, offering a version of Catwoman that feels more real and relatable than previous portrayals.

Paul Dano as Riddler: While his performance as a Zodiac-style villain is chilling, the characterization feels like a missed opportunity to explore a more comic-faithful version of Riddler.

The lack of narrative structure is the film’s biggest flaw. The first act doesn’t establish a clear emotional or thematic hook, making the transitions between acts feel directionless. The build-up to Falcone’s arc, for instance, is wasted with an anti-climactic arrest and immediate death that undermines the tension. The script might be "good" on paper, but the execution leaves the audience feeling lost.

While the movie tries to balance a young and vulnerable Batman with an oppressive, noir-inspired tone, the two don’t mesh well. Instead of feeling like a mythic hero, Batman often comes across as a spoiled kid who hasn’t figured out his place in the world. This might work for an origin story, but it clashes with the film’s dark aesthetic, making it hard to buy into the character’s journey.

The film borrows heavily from The Dark Knight trilogy, with scenes like Batman using a grappling hook to catch a villain or the Riddler’s livestreams evoking Heath Ledger’s Joker. These moments lack originality and feel more like attempts to replicate previous successes rather than creating something new.

Michael Giacchino’s repetitive and heavy-handed score feels uninspired compared to Hans Zimmer’s dynamic and evolving musical themes. While the ominous notes fit certain scenes, their overuse dulls their impact and makes the soundtrack feel one-dimensional.

The romantic subplot between Batman and Catwoman feels forced and poorly timed, especially in moments of high tension. For example, Catwoman saving Batman from a ledge turns into a romantic exchange instead of focusing on the urgency of the situation, detracting from the stakes.

While The Batman has some brilliant elements—particularly its visuals and performances, it ultimately falls short as a cohesive film. Every piece seems designed to fit a specific theme, but when combined, they form a disjointed experience. The movie tries so hard to be dark, gritty, and meaningful that it sacrifices storytelling and emotional resonance.

It’s a visually stunning film with standout performances, but the lack of structure, originality, and tonal balance keeps it from reaching the heights of previous Batman adaptations. A better focus on narrative cohesion and character growth could have elevated it into something truly memorable.