Jodie

Friedman documents a model during a fashion shoot, the exaggerated, staccato rhythms of her camera punctuated by machine-gun like bursts of fireworks and the chiming of bells. The model veers wildly between states of calm and hair-wringing distress in a short, hyper-kinetic sequence bookended by image fields of solid color; a slow approach to an intense, intimate proximity.

Roberto the Canary

Roberto the Canary

2019

Children of the World

Children of the World

1941

Painful Secrets

Painful Secrets

2000

Camila

Camila

1984

Chicken Ranch

Chicken Ranch

1983

Entre Nous

Entre Nous

1983

Sheer Madness

Sheer Madness

1983

Sugar Cane Alley

Sugar Cane Alley

1983

A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit

A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit

1983

Marianne and Juliane

Marianne and Juliane

1981

A Better Man

A Better Man

2017

Learning to Drive

Learning to Drive

2014

The Golden Era

The Golden Era

2014

Goodnight Mommy

Goodnight Mommy

2014

Self Made

Self Made

2014

O Pão Que o Diabo Amassou

O Pão Que o Diabo Amassou

1957

Love or Whatever

Love or Whatever

2012

This Is My Land

This Is My Land

2014

Wallander: Firewall

Wallander: Firewall

2006

Jerry Lewis: The Last American Clown

1996