No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1958
1994
1953
1961
1965
1964
1916
1991
1947
1944
1914
1972
1970
1990
1999
1973
1941
1959
1949