No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1993
1944
1943
1960
1999
1987
1945
1912
1925
1970
1936
1965
1986
1979
1951
1997
1942
1972
1964