Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
1944
1969
—
2010
2024
1987
1956
1992
2008
2019
2021
2001
2014
2016
2007
1968
2017
1979
1982