"Made with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity… Places Breer for the first time among the major colorists of the avant-garde." – P. Adams Sitney
1939
1953
1931
1948
1942
1938
1937
1936
1935
1933
1949
1950
1940
1952
1955
1946
1996
1995
1992