Vite
Vite

Vite

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

Swain

Swain

1950

Closed Vagina

Closed Vagina

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The Illiac Passion

The Illiac Passion

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Me, Myself, and My Third Eye: 4 Enlightened Stories For 1 Imperfect God

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Big Bang Love, Juvenile A

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Topos

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Serenity

Serenity

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Cotton Wool

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The Holy Mountain

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Lonesome Cowboys

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River of Fundament

River of Fundament

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Razor Blades

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Virtual Love

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The Baby of Mâcon

The Baby of Mâcon

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Dyketactics

Dyketactics

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Henry John and the Little Bug

Henry John and the Little Bug

2009

Masking Threshold

Masking Threshold

2022