ULÍA #3

ULÍA #3

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Run and Hide

Run and Hide

A Warm Day Comes After A Cold Winter

1995

Garry from Accounts at the Weekend?

Garry from Accounts at the Weekend?

2024

Best Before

Best Before

Epícuro Está Morto

Epícuro Está Morto

2024

Eneri

Eneri

1953

Digital TV Dinner

Digital TV Dinner

1979

Il vecchio dentro

Il vecchio dentro

1992

La beata mancata

La beata mancata

1997

L'orrore di vivere

L'orrore di vivere

1993

Pointing to the Sun and Laughing (On a Stack of Poems)

ash time

ash time

2005

Wall Ball

Wall Ball

Evolutio

Evolutio

1994

Fratello Kraus

Fratello Kraus

1990

Il sonno degli esclusi

Il sonno degli esclusi

1997

Fallen Branches

Muszla

Muszla

1975

Green Eyes

Green Eyes

Fairy Tale [loop]

Fairy Tale [loop]

2024