ULÍA #2

ULÍA #2

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

it's a mind game.

it's a mind game.

2024

ONE NIGHT IN HELL

ONE NIGHT IN HELL

LAND

LAND

2013

Disporting with a Shadow

Disporting with a Shadow

2015

“(ಥ﹏ಥ) ✧_My Parents Are CIA Psy0ps_!!!* ಠ_ಠ"

“(ಥ﹏ಥ) ✧_My Parents Are CIA Psy0ps_!!!* ಠ_ಠ"

2023

Imensidão Cinza

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Friend of the World

2020

FLES

FLES

2023

A Minds Abyss

A Minds Abyss

2024

Dead End

Dead End

2024

Rain

1965

Big Bang

Big Bang

2016

Legacy

Legacy

2015

37/78: Tree Again

37/78: Tree Again

1978

Guinea

Guinea

2002

A Paw Over Dark

A Paw Over Dark

2023

Wasabi

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2024

Passing, hands, ground

Passing, hands, ground

2024

Magueyes

Magueyes

1962

Caterpillar

Caterpillar

1988