Mine Games (2013)
If you go down to the mine today…
A bunch of friends on vacation in the country discover a disused mine and find something most strange down in its depths.
It starts off in conventional fashion, pretty looking youngsters head off to a large cabin in the woods and after nearly running someone down in the road, they arrive at their destination but nothing is as it seems. The story then spins into another dimension, cribbing from better movies like Triangle and Identity, only the screenplay isn’t strong enough to make a success of it, even confusing itself in the process.
Things aren’t helped by director and co-writer Richard Gray padding out the movie to meet the required run time to call it a feature length production. In truth there just isn’t enough material here to extend beyond a one hour Twilight Zone episode, better editing and a better screenplay was definitely needed here. Gray over stretching his ambitions somewhat.
The cast of up coming Hollywood starlets give a mixed bunch of performances, while the low budget is often evident. Neither of these things, though, hurt the film as much as the aforementioned issues. There’s a modicum of interest value here for those who like the films already mentioned above, but it’s not a comfortable recommendation at all. 4/10
**_Ambitious cabin-in-the-woods flick set in the wilds of Washington_**
Four males and three females head out to a vacation home in western Washington to celebrate graduating college, but they discover something disturbing in the nearby abandoned mine. Will any of them make it out alive?
“Mine Games” (2012) is cabin-in-the-woods sci-fi/horror, but not a slasher. It borrows a concept used three years earlier in “Dark Country” and, before that, an episode or two of Star Trek: The Next Generation. Thankfully, it presents it in a different setting and in a fresh way, tied to the ouroboros, the circler symbol of a snake eating its tail, which suggests cyclic renewal, life and death.
The production cost $1,500,000 at the time and is proficiently made, which is a plus seeing as how most cabin-in-the-woods flicks seem to be low-rent. So, this is first rate as far as general filmmaking goes, just with second-tier actors, who are convincing. The problem is that the second act is dramatically dull whereas the first act is an effective enough set-up and the third act is quite compelling with its revelations. The script needed tweaked to make the second act more entertaining, one way or another.
Julianna Guill is notable on the feminine front as blonde Claire, followed closely by Briana Evigan as brunette Lyla. Lindsay Lamb has a small part as blonde Sarah, which includes a fairly overt sex sequence, albeit brief (just a heads up for those who might want to steer clear). On the masculine side of things, Ethan Peck stands out as Guy, the grandson of Gregory Peck.
It runs 1 hour, 32 minutes, and was shot in western Washington at Gifford Pinchot National Forest, which is southeast of Mt. Rainier; Ape Cave, which is five miles due south of Mt. St. Helens; and Seattle.
GRADE: B-
