Mother's Day

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive.

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The Man with the Golden Arm

The Man with the Golden Arm

1955

Rashomon

Rashomon

1950

Dogville

Dogville

2003

Un Chien Andalou

Un Chien Andalou

1929

Sunrise: A Song of Two Humans

Sunrise: A Song of Two Humans

1927

Believe It or Not (Second Series) #4

Believe It or Not (Second Series) #4

1931

Believe It or Not (Second Series) #5

Believe It or Not (Second Series) #5

1932

Believe It or Not (Second Series) #6

Believe It or Not (Second Series) #6

1932

Believe It or Not (Second Series) #7

Believe It or Not (Second Series) #7

1932

Apur Sansar

Apur Sansar

1959

Aparajito

Aparajito

1956

Silent

Silent

2021

Only Human

Only Human

2020

Everything We Are

Everything We Are

2006

All About Eve

All About Eve

1950

Workers Leaving the Lumière Factory

Workers Leaving the Lumière Factory

1895

Rong

Rong

2019

Studies on Hysteria

Studies on Hysteria

2012

The Creation

1981

A Grand Day Out

A Grand Day Out

1990