When & Where

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

Loading countdown...
Mi mujer me pone los cuernos... o no

Mi mujer me pone los cuernos... o no

2009

Studies on Hysteria

Studies on Hysteria

2012

Hope

Hope

2018

Stuck

2017

Goosebumps: Ghost Beach

Goosebumps: Ghost Beach

1996

Reconnaissance Pilot

Reconnaissance Pilot

1943

A Boy Named Cocoy

A Boy Named Cocoy

1992

2019 Oscar Nominated Shorts: Animation

2019 Oscar Nominated Shorts: Animation

2019

Rastres

Rastres

2023

School of Fine Arts. Return

1990

School of Fine Arts

1990

Fear of the Deer

Fear of the Deer

2018

Gli Atomici Fotonici

Gli Atomici Fotonici

2020

The Meaning of It All

The Meaning of It All

2018

The First Conversation Between Frank and I

The First Conversation Between Frank and I

2018

Red Balloon

Red Balloon

2020

Black Shore

Black Shore

2019

True Blue and Dreamy

True Blue and Dreamy

1974

Peed Into the Wind

Peed Into the Wind

1972

From the Diaries of Ijon Tichy: A Voyage to Interopia

From the Diaries of Ijon Tichy: A Voyage to Interopia

1985