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Maria Michi
An image from Rome, Open City, one of the productions that also features Maria Michi.
Maria Michi

Maria Michi

May 15, 1921 — Roma, Lazio, Italy

Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà.

Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film.

Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Last Tango in Paris

Last Tango in Paris

1972

Rome, Open City

Rome, Open City

1945

Salon Kitty

Salon Kitty

1976

The Charterhouse of Parma

The Charterhouse of Parma

1948

Down the Ancient Stairs

Down the Ancient Stairs

1975

Redneck

Redneck

1973

Mont-Dragon

Mont-Dragon

1970

Brothers Blue

Brothers Blue

1973