Michel Auder
An image from Voyage to the Center of the Phone Lines, one of the productions that also features Michel Auder.
Michel Auder

Michel Auder

Soissons, Aisne, France

Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

Chelsea Girls with Andy Warhol

Chelsea Girls with Andy Warhol

1976

Cleopatra

Cleopatra

1970

The Feature

The Feature

2008

Voyage to the Center of the Phone Lines

Voyage to the Center of the Phone Lines

1993

High Life

2019

Shoppingheads

2009

Daytime Version of the Night

2013

Confession

2009